{"id":2070,"date":"2020-04-24T08:19:07","date_gmt":"2020-04-24T08:19:07","guid":{"rendered":"https:\/\/www.dislit2020.chris-foss.net\/blog\/?p=2070"},"modified":"2020-04-24T08:19:07","modified_gmt":"2020-04-24T08:19:07","slug":"kate-seltzer-mpp-analysis-of-crip-camp-documentary","status":"publish","type":"post","link":"https:\/\/www.dislit2020.chris-foss.net\/blog\/uncategorized\/kate-seltzer-mpp-analysis-of-crip-camp-documentary\/","title":{"rendered":"Kate Seltzer MPP: Analysis of Crip Camp documentary"},"content":{"rendered":"\n

The documentary Crip Camp<\/em> (available on Netflix) tells the story of the beginning of the modern Disability Rights Movement and the fight for the passage of the Americans with Disabilities Act (ADA). Many of the movement\u2019s leaders were alumni of a summer camp for young people with disabilities \u2013 Camp Jened. The documentary opens with footage from the 1970s from Jened, which was founded in 1951 for children, teens, and adults with disabilities, primarily autism, cerebral palsy, and polio. There are several overarching themes within the film that mirror class discussions and readings, including the transition from the medical model to the social model and a discussion of sex and disability. The film falls short a bit in its discussion of race and disability. This paper will analyze how Crip Camp<\/em>, which premiered in January of this year, <\/em>fits in with a semester\u2019s worth of theory and will aim to persuade readers that this film is a significant addition to the field of disability studies.<\/p>\n\n\n\n

First wave disability studies<\/strong><\/p>\n\n\n\n

<\/strong>The movement to push for the passage of federal legislation to guarantee disability rights was a reflection of \u201cfirst wave\u201d disability thinking. This school of thought, in line with many first wave movements for the empowerment of marginalized people, calls for the \u201cestablishment of the identity against societal definitions that were formed largely by oppression\u2026 The first phase also implies a pulling together of forces, an agreement to agree for political ends and\u00a0 group solidarity, along with the tacit approval of an agenda for the establishment of basic rights and prohibition against various kinds of discrimination and ostracism\u201d (Davis 11).\u00a0<\/p>\n\n\n\n

This construction of a singular identity based on disability in opposition is evident from the opening scenes of the film, which center around the experience at Camp Jened. Jim Lebrecht, who co-directed and produced Crip Camp<\/em> and who is disabled himself, was 15 years old when he was a camper at Jened. He talked about his struggles trying to fit in as a teenager at a public high school who had been wearing diapers for most of his life. He said that the feeling of isolation disappeared at camp, where \u201ceverybody had something going on with their body. It just wasn\u2019t a big deal\u201d (Crip Camp 2020). The film also asserts that the \u201chierarchy of disability\u201d that is so often prevalent in public perception disappeared at Jened:<\/p>\n\n\n\n

\u201cAt home, some people had a hierarchy of disability,\u201d said Denise Sherer Jacobson, who has Cerebral Palsy. \u201cThe polios were on top because they looked more normal, and the CPs were at the bottom. But at Jened you were just a kid.\u201d\u00a0<\/p>\n\n\n\n

At Jened, former campers said, the distinctions between specific disabilities blurred in favor of uniting around a common experience. \u201cThe world wants us dead,\u201d said activist and former camper Judy Heumann later in the film. \u201cWe live with that reality. If you want to call that anger, I call that drive.\u201d<\/p>\n\n\n\n

Similarly, Crip Camp <\/em>portrays a time period that is moving away from the previously-favored medical model, in part due to increasing scrutiny of the horrific conditions that came with institutionalization. That transition is also evident throughout the film. An able-bodied former camp counselor remarked that \u201cwe realized the problem did not exist with people with disabilities. The problem existed with people that didn\u2019t have disabilities. It was our problem. So it was important for us to change.\u201d That sentiment is certainly emblematic of the social model of disability studies.<\/p>\n\n\n\n

Race and disability<\/strong><\/p>\n\n\n\n

The intersectionality of race and disability is often overlooked in discussions of both, and Crip Camp <\/em>isn\u2019t much of an exception. Protests and activists featured in the film demonstrate some diversity, but it\u2019s certainly not a truly representative sample. At one point, Lionel Je\u2019Woodyard, a Black abled bodied former counselor from Alabama, says that \u201cwhatever obstacles that were in my way, being a Black man, the same thing was held true for individuals in wheelchairs.\u201d The film in some ways shies away from an open discussion about how race and disability intersect: it interviews a disabled Black activist, but never asks what it means to be Black and disabled.<\/p>\n\n\n\n

Let\u2019s talk about sex<\/strong><\/p>\n\n\n\n

In contrast, Crip Camp <\/em>absolutely nails (ha) its discussion of sex and disability. Flashbacks to time at Camp Jened showcase the importance of romantic \u2013 and sexual, as evidenced by an outbreak of crabs \u2013 relationships for the disabled. Not that an STI is a laughing matter, but the crabs scene is very light, and it is reminiscent of the kinds of legends you\u2019d hear about from traditional summer camps. The campers are giddy, and the counselors are a little bewildered \u2013 certainly surprised that the teenaged campers were in fact having sex.\u00a0<\/p>\n\n\n\n

\u201cThere was a romance\u00a0 in the air, if you wanted to experience it,\u201d commented Heumann. Former campers spoke of makeout sessions behind the bunks and the summer romances common at all summer camps. In footage from the camp, campers talk about how when people see them, they\u2019re not seen as man or woman: they\u2019re seen as a disabled person. Mollow and McCruer pose these questions in their introduction to Sex and Disability:<\/em> \u201cWhat if disability were sexy? And what if disabled people were understood to be both subjects and objects of a multiplicity of erotic desires and practices?\u201d (1). Crip Camp <\/em>makes the case that although that should be the desired outcome in understanding sex and disability, society wasn\u2019t there 30 years ago, and it likely isn\u2019t there now.\u00a0<\/p>\n\n\n\n

One of the most impactful moments of the film is when Denise Sherer Jacobson interned at United Cerebral Palsy and had an affair with the bus driver. \u201cI wasn\u2019t getting any younger,\u201d Sherer Jacobson said, \u201cand I didn\u2019t want to die a virgin.\u201d Later, Sherer Jacobson recounts how she experienced a horrible abdominal pain and went to the hospital. Only after the doctor removed a perfectly healthy appendix did he consider that in fact, she had gonorrhea. \u201cIt was all because the surgeon decided \u2018how could I be sexually active?\u2019 I mean, look at me.\u201d The idea that someone with Cerebral Palsy having sex was so incomprehensible \u2013 \u201cdepicted in terms of tragic deficiency or freakish success, as Mollow and McCruer put it \u2013 that at no point did medical professionals even consider it a possibility. This portrayal of sex and disability as being so distant from each other that able-bodied individuals are unable or unwilling to give the concept any thought was especially poignant because it demonstrated how misconceptions about disability can and does lead to discrimination and malpractice in medical treatment.\u00a0<\/p>\n\n\n\n

Political advocacy<\/strong><\/p>\n\n\n\n

The heart of the film is Judy Heumann, alongside other Camp Jened alumni, fighting for federal recognition of disability rights. Crip Camp <\/em>is incredibly successful at reminding viewers that it was very, very recent that no one was required to treat the disabled with any dignity or respect. The documentary covers the \u201c504 Sit-In,\u201d which lasted 25 days, and the long activist struggle in securing the long overdue regulations enumerated in Section 504 of the Rehabilitation Act. Section 504, and 20 years later, the ADA, are absolutely essential in guaranteeing disability rights at the federal level, and there is no question that they were milestone pieces of legislation. However, and Crip Camp <\/em>makes this clear, the legislation is not enough.<\/p>\n\n\n\n

In one of the most powerful moments of the documentary, Judy Heumann addresses a group of activists after the 504 regulations were signed. It\u2019s a celebratory moment, but Heumann\u2019s voice breaks: \u201cYou know on the one hand I\u2019m sitting here feeling like I should say everything is wonderful\u2026 I\u2019m very tired of being thankful for accessible toilets,\u201d Heumann said. \u201cIf I have to feel thankful about an accessible bathroom, when am I ever going to be equal in the community?\u201d That point, that disabled activists have to fight unbearably hard for legislation that does the very bare minimum, and the implication that we are still a long way from equality, is part of what makes Crip Camp <\/em>great.<\/p>\n\n\n\n

Public memory<\/strong><\/p>\n\n\n\n

<\/em>Crip Camp <\/em>is an important reminder of how easy it is to forget the struggle for equality. For those who have never known a world without the Americans with Disabilities Act, the history of its passage is more or less lost. Pre-college, I was taught about (a sanitized version) of the Civil Rights Movement and about the fight for women\u2019s suffrage. I hadn\u2019t even heard of the Disability Rights Movement until college, and I\u2019m someone for whose family the ADA matters deeply. A failure by the public to learn and understand the histories of marginalized groups certainly is not unique to disability studies, but it is a travesty nonetheless. Crip Camp<\/em> is very effective in its telling of the events leading up to the 504 Sit-In and the fight for the ADA, but that efficacy only matters if people watch it.<\/p>\n\n\n\n

It\u2019s worth noting that we\u2019re finally hearing this story in full in part because Barack and Michelle Obama are executive producers of the documentary. To be clear, Crip Camp <\/em>tells a really important story and tells it well \u2013 it should be a way for disability studies to be brought into the mainstream. It\u2019s directed by someone close to the story who\u2019s disabled himself and never portrays disability as something to be pitied or something to be admired just because of its existence (Crip Camp<\/em> is not disability porn). At the same time, I worry a bit that disabled stories are only given the limelight when there is significant wealth and power involved.<\/p>\n\n\n\n

Crip Camp\u2019<\/em>s arrival on Netflix will hopefully allow larger audiences to focus on the too-often ignored field of disability studies and activism. Its portrayal of the complexity of disability is extremely compelling. Though it falls short in a few areas, it is a useful tool in applying some disability theory in practice. This documentary should be celebrated, and it should be seen.<\/p>\n\n\n\n

Word Count: 1657<\/p>\n\n\n\n

I pledge \u2013 Kate Seltzer<\/p>\n\n\n\n

Works Cited<\/p>\n\n\n\n

Crip Camp.<\/em> Directed by James Lebrecht and Nichole Newnham. Higher Ground, 2020.<\/p>\n\n\n\n

\u201cThe End of Identity Politics and the Beginning of Dismodernism.\u201d Bending over Backwards<\/em><\/p>\n\n\n\n

Disability, Dismodernism, and Other Difficult Positions,<\/em> by Lennard J. Davis, TPB, 2005,<\/p>\n\n\n\n

pp. 11\u201332.<\/p>\n\n\n\n

McRuer, Robert, and Anna Mollow. \u201cIntroduction.\u201d Sex and Disability<\/em>, Duke University Press,<\/p>\n\n\n\n

2012.<\/p>\n","protected":false},"excerpt":{"rendered":"

The documentary Crip Camp (available on Netflix) tells the story of the beginning of the modern Disability Rights Movement and the fight for the passage of the Americans with Disabilities Act (ADA). Many of the movement\u2019s leaders were alumni of a summer camp for young people with disabilities \u2013 Camp Jened. The documentary opens with … Continue reading “Kate Seltzer MPP: Analysis of Crip Camp documentary”<\/span><\/a><\/p>\n","protected":false},"author":71,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-2070","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pcJhts-xo","_links":{"self":[{"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/posts\/2070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/users\/71"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/comments?post=2070"}],"version-history":[{"count":1,"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/posts\/2070\/revisions"}],"predecessor-version":[{"id":2071,"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/posts\/2070\/revisions\/2071"}],"wp:attachment":[{"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/media?parent=2070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/categories?post=2070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dislit2020.chris-foss.net\/blog\/wp-json\/wp\/v2\/tags?post=2070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}